“Explaining a joke is like dissecting a frog. You understand it better but the frog dies in the process.”
EB White
There are some definite pit falls to avoid in explaining things to kids. The biggest criticism of teachers talking is that it’s boring. And, generally speaking, boring kids is not a good way to get them to learn stuff.
But to suggest that teachers should therefore avoid explaining their subjects to students is a bizarre leap. Surely it would be vastly more sensible to expend our efforts in improving teachers’ ability to explain?
This then is the aim of this post: How can we make our explanations better?
The starting point in teaching any new concept or idea is lay the groundwork of propositional knowledge required. This type of transmission lesson is deeply unfashionable and is something that many teachers are at pains to conceal. We all know that sometimes the most effective way to teach children is to talk to them, although we must always be wary that if they’re not learning, we are just talking.
To determine whether learning has taken place we can either check whether the can remember what we’ve taught or whether they understand it. And obviously we’d prefer that they understood, right? Well maybe remembering and understanding are not as far apart as we might think. Maths teacher Kris Boulton recently wrote a fascinating post asking why it is that students often seem to understand a thing and then forget it. In it he suggests that “if we put all our thought and effort into building understanding, we do so at the expense of memory, and will nurture students who understood everything, once, rather than understand it, still.” And it’s the ‘still’ that makes the difference.
So then, what makes a great explanation? I’m going to argue for an explanation to work it has to be clear, memorable and relevant. And, ideally, it should also try to avoid killing the frog.
Clarity
If an explanation is precise enough it is a lever capable of moving the world. But to be able to clearly explain a complex concept takes thought and planning. It’s useful to remember that what’s clear to me may not be so obvious to another. Wittgenstein’s duck/rabbit puzzle is a useful way to visualise this:
There have been plenty of occasions when I’ve tried to show my students a duck, for them only to be able to see a rabbit. Often the cause is that my own understanding is a little shaky. If I, as the teacher, am unclear, it’s unlikely my students will follow my explanation. This is a clear illustration of the need for excellent subject knowledge. I have definitely struggled at times this year to teach A level English Language; it’s full of new concepts and terminology and I’ve had to learn a lot of it on the fly. This has resulted in some rather poor explanations. As Einstein may or may not have said, “If you can’t explain it simply, you don’t understand it well enough.”
One way I rely on to ensure my explanations are clearer is to break down the components of what I want to teach and give students the language they need to explain it. It might seem easier to describe the circulatory system as ‘very fine tubes’ but it’s far more useful to call them capillaries. My best advice here is to make sure you use the specialist academic language used by experts as often and as clearly as you can. And insist that students use it too. What we practise we get good at so if we allow them to practise using sloppy, imprecise language, that’s what they’ll get good at.
Of course, there’s a fine line between talking over students’ heads and baffling them with irrelevant jargon and talking down to them. Of the two I’d rather err on the side of too complex rather than too simple; I’d rather they were forced to changed their thinking by incorporating new terms into the schema they are developing then leave them with something so slimmed down it’s almost stripped of meaning.
So, you’ve tried to be as clear as possible, but has it been clear enough? An essential component of being clear is checking that students have followed your explanation. This simplest way to do this is by asking questions. Personally, I’m too lazy and too easily confused to use something as complicated as Bloom’s Taxonomy to think about the questions I want to ask (that and I think it’s a bit rubbish.) Instead I rely on asking questions that clarify, probe or recommend:
Be mindful though about why you’re asking questions. If they don’t make your explanation clearer, maybe this is not the right time. Obviously if I’m asking questions to clarify then it ought to follow that this should result in students being able to articulate their understanding.
This fantastically useful question spectrum designed by @redorgreenpen will help interrogate the purpose behind your questioning:
Memorability
Whether you want to explain the effects of varied paragraphing, Pythagoras’s theorem, osmosis or the Treaty of Versailles, it’s vital to compare the new concept you’re teaching to familiar ones that students will already be familiar with. This means we should avoid using The Simpsons to teach Macbeth, or the Mr Men to teach the rise of the Nazi party. This isn’t just about dumbing down (although you may have a view on that) it’s more that if Willingham is right that “memory is the residue of thought” we must ensure our comparisons make students think about the ideas we’re trying to teach. If they don’t think about it, they won’t remember it. So, if I want students to understand the plot of Macbeth, it won’t help them to be thinking about Marge and Homer instead. If I want students to understand how the leaders of the Nazi party came to power, making them think about Mr Silly and Mr Grumpy will only be a distraction. These activities may or may not be ‘fun’ or ‘active’, but they’re not a useful way to explain what you actually want students to know because they won’t remember what you want them to remember. In one of my most memorable biology lessons, my teacher knocked over the model skeleton (it’s the law that there must be at least one lab per school to contain a full size model skeleton) and told us that we’d remember the lesson for the rest of our lives. I have. But I cannot for the life of me recall what the lesson was about.
Our analogies should help students construct a schema into which they can fit new ideas. So, if I was an IT teacher trying to explain the concept of a firewall I might use the analogy of a bank clerk. In this analogy a website is a bank; if I want to get my money out of the bank they’re not usually keen me to rummage around in the vaults and help myself. Instead I have to ask the clerk. The firewall does a similar job; if I want to access a secure site on internet, I have to go through the firewall first. This analogy is helpful because it relates a new concept to an existing one without me wasting a lot of time think about banks and money; it helps me think about websites and firewalls better. In a wonderful blog post on Lightbulb moments, another maths teacher, David Thomas, bridges the gap between direct instruction and discovery learning to show how he teaches sequencing and scatter graphs.
One of the most useful and memorable analogies I’ve used is to explain the skills of analysing and evaluation using camera shots. I called the technique “Zooming in and out“, and it made something that many students previously found incomprehensible into something that they ‘got’. In brief, the skill of analysing is compared to a close up shot where you are able to see details which you might otherwise miss and evaluating is compared to a wide-angle shot where you can see how the details fit into the big picture.
Relevance
This isn’t an argument for being down with the kids. What I mean by relevance is that what we explain to students should be necessary for them to know; it should lead logically from what they have already understood.
Even if an explanation is clear and memorable sometimes it won’t take root simply because it’s not relevant. This is all about sequencing ideas and building up a knowledge base (or schema) one step at a time. There’s little chance that even the best explanation of sentence structure is going to make sense if students aren’t clear on what a verb is, and it’s unlikely that they’ll understand why Brutus decides to kill Caesar if they have no idea about the formation of the Roman Republic.
So our explanations need to be carefully sequenced. Generally, spending time on explaining the context of an idea is time well spent. I guess it’s possible to fall down a rabbit hole here and going to far back, and possibly it might seem depressingly utilitarian to limit our explanation to what we think students ‘need to know’. But at some point this is precisely what we must do. It seems self-evident to suggest that explanations should ‘start at the beginning’, but often this isn’t possible. As experts, we are required to determine where our explanation should begin and the vital steps from there on.
The Kevin Bacon game, or 6 degrees of separation is useful way to get students to reflect on the explanations we’ve offered. The idea is that they need to logically sequence their understanding from one concept to another. So we might ask them to suggest the 6 degrees of separation between the assassination of Archduke Ferdinand and the outbreak of the Great War, or between Pip’s first meeting with Magwitch and his discovery that he has ‘great expectations’. To keep them on track we might specify that step 4 must be the introduction of Mr Jaggers, or the Ottoman-German Alliance or whatever. And if 6 degrees is too few or too many then feel free to extend the chain as far as you think it should stretch.
One further point: sometimes the best way to explain may not involve talking. Laura McInerney has this wonderful example of students ‘discovering’ the truth of a concept through experience:
On my fourth day with a brand new Year 13 BTEC Health & Social Care group, we had a conversation that went like this:
Me: “Who are the people most likely to suffer obesity in England today?”
Student: “Rich people”
Me: “Why rich people?”
Student: “Because they can afford the most food, so they eat the most, so they get fat. Poor people can’t afford food, so they starve, so they are thin.”
No matter how I tried to question, reason, explain that people with lower incomes are the group with the highest risk of obesity, the students simply would not have it. In their heads, the more money you had, the more food you had, the fatter you would get.
Unsure what to do next I made an unusual move:
Me: “Right, get your coats…..”
Ten minutes later (with appropriate permissions having been sought from school & supermarket) we were stood at the tills in our local Tesco. Each student had a basket.
Me: “Okay, let’s imagine you’ve just got home from work and you’re a single parent, you’ve got two children, they’re hungry because they haven’t eaten since midday and you’re tired. You can spend £5 on tonight’s dinner but you need enough food for all three of you and you have to be able to make all of the meal in fifteen minutes or less. Off you go….”
Twenty minutes later when the students stood in front of me with a sorry mess of frozen pizzas, angel delight, and Tesco value meals the problem began to dawn. We then went and stood in the freezer section comparing the nutritional values of cheaper and more expensive goods. Slowly, clicked some more. Finally we thought about who has the time to buy and cook fresh food, or who has the money/education/space to buy or grow (and store) fresh herbs. After trogging back to our classroom we then got back to looking at the data and writing out analyses (and yes, it’s not quite as straight forward as poor = fat, or cheap=frozen food, but we could only get to that once they understood the risks).
I hope some of that has been useful. Or, more to the point, I hope it’s clear, memorable and relevant. If it’s not, do please point out where I might improve my thinking.
Coming next: modelling
Related posts
Great teaching happens in cycles
Alex Quigley’s Top 10 tips for explaining
Tom Sherrington’s Great Lesson on explaining
Hi David. I enjoyed the clear and purposeful approach to explanations here and I appreciated raising the issue of the extent to which you should ‘bring students in’ when you are explaining; this can muddy the waters if it drags out what you are trying to achieve and you have to divert at an important stage to address queries or misconceptions then. Sometimes we involve the class because we are worried about talking for too long, when, in fact, greater clarity can be achieved by leaving them out until later. Thanks for another thought provoking post. K.
The trick is to make our explanations as complete as possible without ‘killing the frog’. Much better to think through an absorbing explanation than to be constantly saying, ‘Oh yeah, and there’s another thing…’
Cheers, David
Is the explanation the first step in the cycle, or are there are a few crucial steps before that?
Would you do what Trevor Wright recommends in ‘How to be a brilliant English teacher’ and ‘establish the need for the term’ in a starter activity before explaining it? (His example is the ‘head like an egg’ drawing activity to teach similes.) Also, would you establish prior knowledge and/or personal experience surrounding a topic through mind-mapping/ discussion as a necessary preliminary to the explanation stage?
In my experience, explanations can threaten the pace and level of challenge at the heart of the lesson when these necessary steps are omitted.
Also, how do you get students to keep track of the terminology they acquire? I’ve experimented with glossaries in the past, but I suppose the old adage ‘use it or lose it’ applies here.
Debaser: keep meaning to ask – are you a Pixies fan?
I really like Trevor Wright’s description of introducing similes to a class (I referenced it in my book) and yes, of course, I’m interested in establishing what students already know: I’m a big fan of concept mapping and have written about it before. This wasn’t a detailed lesson plan, merely some suggestions about what I think is important about the lost of of exposition. Maybe an exemplar lesson might help? I’ll think on it.
Yep, big Pixies fan – saw them on their reunion tour a few years back.
An exemplar lesson at each stage of the cycle would be really interesting. I’ve always thought that Phil Beadle’s masterclass on the poem ‘Limbo’ (http://www.teachersmedia.co.uk/videos/limbo-and-night-of-the-scorpion) is a particularly good example of an effective and inspiring exposition of key contextual issues. ‘Teacher talk’ doesn’t get much better than that.
Personally, I think I find lessons at the ‘joint construction’ phase are the most challenging in terms of engaging the students. I look forward to the rest of your series.
Great series David. I like, and will now use, clarify, probe, recommend. I agree on that ‘ and another thing’ issue. Well crafted explanations are the goal. Interestingly, in Science, practicals and demos can confuse more than enlighten if handled poorly because the real world is more complex than the simple models we try to teach in order to establish the concepts. I think the skeleton fall-down may have meant to illustrate that the skeleton itself doesn’t hold you up: you need muscles too. Maybe?
PS. I am now listening to ‘Gigantic’ …prompted to revisit my Pixies collection.
Thanks Tom – actually I remember the skeleton falling down was an accident – it was probably unconnected with what we were meant to be learning.
And Gigantic is one of my favs – A big big love!
Well-designed page! Bravo! But believe me it’s how you explain that I admire so much! I hope I could write like that–full of humor but very matter of fact. You’re a model worth emulating.
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